UMX software/hardware series enables single gesture music setup management, maximising music
expressiveness and freedom during the performance. UMX promotes homogenisation and
interoperability between instruments.
Our software UMX is designed to assist musicians in bringing the detailed sound nuances of studioproduced music to the stage.
It has universal compatibility, acting as a virtual midi controller for physical/virtual instruments, DAW’s and all midi-controlled devices.
A series of dedicated Unimidi devices has been especially designed to control the software, which can also be mapped to any standard midi controller.
UMX is a virtualised MIDI controller, a freely configurable environment allowing musicians to gather all the necessary “knobs and buttons” in a single interface.
The ultra-fast MIDI transmission to multiple ports enables simultaneous interaction with a large
number of devices and programs within a musical setup that is freely definable by the user.
MIDI protocol is invisible. UMX software provides a graphical representation of MIDI messages such as Control Changes, translating them into sliders and buttons that users can manipulate visually.
UMX aims to align with the values of the MIDI Manufacturers Association and the MIDI protocol itself, which emphasize standardization, interoperability, and ease of interfacing. Our definition of “MIDI_Unifier” refers to a new category of devices and programs that embody these principles.
UMX has been designed to regain spontaneity and enhance expression in the modern music
performing environment. UMX allows musicians to harness the full potential of their setup thanks to the multiplicity of simultaneous controls.
The performer decides when to trigger every new music scenario, without the constraints of the
timeline, allowing themselves to catch musical inspiration.
UMX communicates through all the physical and virtual MIDI ports available to the computer. On
macOS, it can generate its own virtual ports. On Windows, it requires a third-party driver for the virtual output ports (multiple reuses of the same input port are already possible).
The software also allows the connection of multiple instances of itself running on different machines, even virtual ones. We plan to implement a multi-instance architecture on a single machine, thereby exponentially increasing the MIDI transmitting capacity for large digital orchestral ensembles.
The UMX software and UMX_100 control device are already available for purchase through our
website. While these are handcrafted semi-professional products, we aim to expand our potential
user base by further developing our software solution and aligning ourselves with the current
standards. In addition, we plan to invest in the development of many other devices, some of which are already at the prototype stage, while others are still in the conceptual phase.
Due to the architecture of UMX software, and its associated devices, we have a keen interest in the 2.0 protocol, MIDI-CI, device discovery, and MIDI over Ethernet.
We see the natural evolution of our software towards the model of a “MIDI DAW”, progressively
becoming an “AUDIO-MIDI DAW”, whilst maintaining its core concept of “Midi_Unifier”.
We also see an evolution towards operation with and without a computer. The future series of Unimidi products possess MIDI and audio ports, and will be able to function and run UMX without the aid of a computer.
We plan as well to develop a dedicated App and hardware for mobile devices use.
Unimidi has a huge interest in AI engines integration. In the future users will be able to freely
manipulate the software interface, obtaining their own custom “slots”.
MOVING MY HANDS IN THE EMPTINESS, I CREATE SOUNDS AND I DREAM MY FUTURE
MidiFly®, coupled with a computer and infrared camera, is a sophisticated system that is used to drive sounds and images.
It’s a useful tool in neurorehabilitation and can be a key component in the relationship
with the patient inside a classic music-therapy setting.
Due to its simple interface and special characteristics, MidiFly® can be used both for “stand-alone” sound production and for a “conversation in sound” between operator and patient, by means of its “mirroring” function.
Because of the many customizations of the virtual grid, MidiFly® provides several operating opportunities, making it well suited for the task it was created.
MidiFly® improves the patient's relationship skills and quality of life by developing his or her creative potential through alternative communication based on virtual sounds and images.
There are some instruments in the world that use the use of only hands without the help of supports (not rings, helmets, bracelets, etc.), such as the Theremin (radio frequencies) and the Soundbeam (ultrasound) but none of them can boast of having mirroring, essential for the use of therapist / patient. The MidiFly® instead allows the creation of a therapist/patient sound dialogue with the simple presence of two people facing each other, moving both hands. It is also a scalable software, in the sense that it allows any type of sound, any type of sound combination and whose virtual grid can be modified at will from 2X2 to 8X8 in the measure of one meter by one meter per meter, right in front of your body.
The MidiFly® was born as a playful entertainment tool. Its characteristics (in particular the "mirrorig") allow it to be a perfect medical supervision for the use of therapist / patient, thus giving a turning point to the field of Music Therapy, which requires adequate technical supports for the new challenges. In particular, this instrument can also be used by the families of the autistic disabled. This kind of invention was allowed to me by the fact that I deepened the subject. In fact, I have a Specialized Degree in Clinically In Music Therapy and I am specialized in the Serious Cerebrolesions Acquired . I thought that a half-playful and half-medical tool can generate a good plus value for our society, moreover in this period in difficulty due to the absence of adequate social shock absorbers.
Through an infrared camera and a Mac computer. In the computer screen appears the virtual grid that has several possibilities of use with music notes. The software can be connected to any sound production software in MIDI. The software allows you to easily manage sounds and musical scales. With the simple gesture of one or two hands you can produce any type of sound. All instructions are explained in detail in the "Support" part of the website midifly.com
The MidiFly® prototype was presented in 2019 in Aalborg (Denmark) and in 2020 in Pretoria (South Africa) as part of international seminars dedicated to Music Therapy. In 2022 it became operational. The marketing takes place mainly with medical and music therapy environments. In addition, the MidiFly®, being able to be used also by non-professional personnel, is offered to families of disability associations. At €6,900 includes the Software, a Mac Book Pro, an infrared camera, the installation and the intensive one-day course for the use of the instrument. In the case of associations for every 5 families who buy the Midifly®, the association receives a sixth that must be attributed to a family that cannot afford the purchase economically. This last will be guaranteed all the services included in the purchase.
Applications are also provided in educational, dance, acting, painting, sport and other disciplines. Explanatory videos can be found on the website midifly.com under "Arts".
In the near future MidiFly® software will be rendered Open Source
MIDI Widgets is the first spatial MIDI designer, fully embracing the capabilities of Apple Vision Pro.
MIDI controllers can be positioned anywhere in your physical spaces and will stay anchored where you put them. MIDI Widgets will recognize different rooms and locations and restore your controller designs exactly as you left them, even across restarts.
Controllers can be grouped in scenes, allowing different layouts to be recalled for different purposes. Each scene has its own set of enabled MIDI outputs.
Features:
* Designed specifically for Apple Vision Pro
* Create as many faders, buttons and knobs as you need
* Freely position and orient individual controllers
* Spatial snapping makes it easy to build out perfectly aligned larger control surfaces
* Controllers automatically remain anchored to their location, even across restarts
* Controllers can be grouped in scenes and are easily recalled for different purposes
* Freely re-position and re-orient entire scenes
* Scenes can send MIDI messages to multiple configurable MIDI ports
* Support for Bluetooth LE MIDI devices
* Built-in virtual MIDI to send MIDI to other Vision Pro apps on the same device
* Per controller MIDI channel selection
* Per controller MIDI Control Change, Channel Pressure, Program Change or Pitch Bend messages
* Per controller 7-bit and 14-bit Control Change resolution
* Controllers can optionally reset to a neutral position upon release
* Faders and knobs can be unidirectional or bidirectional
* Every part of a control can be assigned a different color for recognizability
* Colors can easily be copied and pasted, individually or as complete color schemes
* Controllers can have optional labels that can be placed on any of the four edges
* A floating tool window follows your left or right hand and allows editing anywhere
* Multiple controllers can be used simultaneously, allowing for dual hand interaction
MIDI Widgets for Vision Pro allows the creation of any number of virtual MIDI controllers alongside physical devices in your real space. The virtual controllers augment the functionality of your existing devices and can be used from anywhere they can be seen and interacted with through the Vision Pro. The virtual controllers are anchored to your physical space and automatically restore where you currently are physically. Controllers that are in different rooms will stay in different rooms, controllers that are in different geographical location (office, home, studio, ..) will stay in those locations. This truly mixes the capabilities of spatial computing with the real world for MIDI interaction.
Create virtual MIDI controllers anywhere they make you more creative, offering unlimited direct access to your MIDI hardware and software, while still benefiting for your real space and spatial positioning.
Bluetooth LE MIDI
Already released on the Apple Vision Pro App Store
Additional controllers and use of Vision Pro features.
Animoog Galaxy is a multidimensional sonic, visual, and spatial experience designed by Moog Music specifically for Apple Vision Pro.
Powered by Moog’s Anisotropic Synth Engine (ASE), Animoog Galaxy lives alongside you in your physical space, infusing it with constantly evolving sounds and colors. Dial it in exactly the way you want or let Animoog Galaxy surprise you to keep your mind active and engaged. With over 120 professionally designed presets, a change of atmosphere is always just a finger tap away.
When you're ready, teleport inside Animoog Galaxy and play its innovative synthesizer with an expressive keyboard that was created for Vision Pro's gestures. The slightest nuance of your playing can change the sound, while Animoog's intelligent correction algorithms ensure that you'll always play in tune, unless you disable it to explore the spaces between the notes. The new step sequencer with probability and smart randomization can instantly help your inspiration with melodic and rhythmical lines, and the audio recorder loops and layers any sound you hear, organically building up to a full performance that can be shared with others.
Animoog Galaxy embodies the immediate and intuitive experience of Moog synthesizers and applies it to spatial computing, enabling you to quickly sculpt incredibly fluid sounds that live, breathe, and evolve in all dimensions. By expanding the side panels, you gain access to all of the synthesizer's controls, conveniently offering full sound design capabilities when you want to dive deep.
The ethereal, colorful and spatially moving visuals have a meditative and centering influence, allowing you to reach a state of creative engagement and mindfulness that can offer a moment of calm to recharge you.
Animoog Galaxy can be many things: a lifestyle companion that helps you find inner peace, an innovative spatial musical instrument that pushes the boundaries of your creativity, a professional synthesizer with a sonically rich universe, or anything in between.
Key features:
• Anisotropic Synth Engine (ASE): Animoog Galaxy utilizes an exciting Moog technology that allows you to spatially move through the X, Y, and Z axes of unique timbres to create an expressive and constantly evolving soundscape.
• Immersive Experience: Constantly evolving sounds and visuals help create a peaceful mood and environment all around you. Fully immerse yourself in Animoog Galaxy's universe with a futuristic user interface that takes cues from popular sci-fi imagery.
• Designed for Apple Vision Pro: Visuals, graphics, gestures, interactions and sounds were created specifically for Apple Vision Pro, embracing and amplifying its unique capabilities.
• Modulation and Pitch Shifting: Control Animoog Galaxy's advanced gestural keyboard with configurable scales, pitch correction, and glide. Simply look, pinch, and drag to control multiple per-voice parameters.
• Intelligent Step Sequencer: Rhythmical melodies can be generated in-tune with the keyboard.
• EG/LFO: Articulate your dynamics with three independent six-stage DAHDSR envelope generators for Amp, Filter, and Mod, each with loop and sync functionality. Give motion to your sound with three independent LFOs featuring continuously variable wave shapes, phase offset, delayed start, sync, and support for 1-8 repeats.
• Mod Options: Animoog Galaxy features a highly flexible modulation matrix with 10 lanes and a multitude of sources, controllers, and destinations—including global destinations like Delay and Thick.
• Expansive Effects: Experiment with a collection of dynamic sound-altering and sound-augmenting effects with Delay, Unison, Bitcrush, Drive, Filter, Arpeggiator, and Recorder.
• MIDI Integration: Use your favorite MIDI controller to control Animoog Galaxy (with full support for MPE input) or go MIDI out to use Animoog Galaxy's highly expressive keyboard to control your favorite instruments.
• Additional Features: Animoog Galaxy includes backwards compatibility with presets and timbres from Animoog Z, 440Hz base frequency offset (+/- 10Hz), and preset tagging.
Animoog Galaxy is the only professional synthesizer instrument for Apple Vision Pro, and the only VR instrument that can be played in real-time without noticeable latency nor lag. Animoog Galaxy can be used as a MIDI controller to play other MIDI devices through Vision Pro gestures. Other MIDI devices can also connect to Animoog Galaxy, allowing physical control to be augmented with the virtual universe of Animoog Galaxy.
Animoog Galaxy completely transports you to Animoog's virtual universe and fully immerses you in the visuals and interactions that has made Animoog an award winning instrument. The hand gestures allow for full expressiveness and the user interface has been designed to allow you to dial in exactly how much of the real world you want to blend with the virtual world. Animoog Galaxy inspires in ways that never have been available before.
Connects over Bluetooth LE MIDI and on-device virtual MIDI ports.
Already released on the Apple Vision Pro App Store.
Embrace new Apple Vision Pro features and capabilities as they become available.
Unlock new dimensions of musical meaning with Sonification Tools: transform any data into mesmerizing melodies or modulation, seamlessly bridging music, science, and art.
What if you could transform raw data into music, modulation, effects, or even audio?
A collection of unique creative devices, Sonification Tools were designed by Ableton Certified Trainer Noah Pred to allow access to new musical ideas via real-world data sets. Just manually type or simply copy and paste raw numeric data into the text entry field of all four devices to generate corresponding MIDI patterns with in real-time with Data MIDI or offline with Dataforge, modulation sequences with Data Mod, or spectral filtration, wavefolding distortion, impulse convolution and even exported audio waveforms with Data FX.
Data can be typed in manually, randomly generated, or copied and pasted from any text, website, Google Sheet, CSV, Excel file, or basically anywhere to embody a string of numbers as change over time. Then select and loop the data as you like, with the lowest data value automatically corresponding to your lowest allowed output, and the highest data point automatically corresponding to your specified upper output limit — be it note pitch, velocity, length, or modulation. Data MIDI and Data Mod allow you to trigger data at any factored or fractional metrical base rate with optional cycle reset for a wide variety of rhythmic patterns. Offset delay and swing further enhance MIDI output timing. You can also trigger data at a millisecond rate for more abstracted results, or via arbitrary note input.
A variety of trigger modes allow you to engage with Data MIDI’s output in a variety of ways, all of which can be constrained via 69 scales in any key, set locally or via the included Global Hub utility. Better yet, you can expand or contract the range of data pitch, velocity, or length output in real time to dynamically express the data in highly musical ways. Data MIDI and Data Mod can also be Gated to only output MIDI above or below a certain threshold for more rhythmically complex output.
Not sure what data to use? Sites like Our World In Data are a great place to start. You can also type in personally meaningful numbers — or an arbitrary string of data can also be randomized from scratch within each device to easily generate infinite sequences, patterns, and tones. A groundbreaking set of tools for artists and producers, Sonification Tools allow you to embed real-world phenomena into your creative process — and express those phenomena as uniquely as you wish, giving them a voice through your music, and inspiring newly meaningful approaches in the process.
Sonification Tools innovate by offering a comprehensive, flexible, and straightforward approach to transforming real-world data sets into MIDI, sound, and inspiration - directly in Ableton Live.
Prior to our Sonification Tools, data sonification techniques often required multiple platforms and even specialized coding skills in a convoluted process that would still yield rather static, unwieldy results. In contrast, Sonification Tools are designed to be instantaneous, flexible, and user-friendly, easily integrating data from text, spreadsheets, or websites through simple and familiar copy and paste. Offering extensive real-time manipulation capabilities, Sonification Tools allow users to adjust musical parameters such as pitch mapping and modulation ranges on the fly, turning any data source into a playable instrument.
Through this robust and playful feature set, Sonification Tools allow artists to embed layers of meaning in otherwise instrumental music, opening valuable discourse with their fanbase, and even cultivating dialogue with the scientific community. Integration with Live 12’s scale awareness and MIDI Tools make it easier than ever to generate musically coherent ideas from any data set.
For producers seeking to incorporate data-driven elements into their musical practice, educators looking for new ways to explore data with their students, or for artists seeking inspiration from real-world phenomena, our Sonification Tools are a welcome innovation.
There are numerous inspiring uses of Sonification Tools, but some highlights to date would include: neuroscience researchers using EEG data to produce music with Sonification Tools; glaciologists using Sonification Tools to express environmental data for a performance piece in Hobart, Australia; the Sound Obsessed Collective using Sonification Tools to explore data sets around sustainable development goals for a new installation work at this year’s Sónar festival; or Portrait XO and Ali Demirel using Sonification Tools to translate climate data for a performance at the Nobel Prize Museum in Stockholm earlier this spring.
Data MIDI runs as a Max for Live MIDI Effect, and can trigger any virtual or external MIDI instruments running in (or connected to) Live 11 or higher. Data Mod can modulate any MIDI device parameter exposed to Live. And in Live 12, Dataforge can generate MIDI expressions from data directly in the MIDI note editor — which can then be used to trigger any virtual or external MIDI instruments running in (or connected to) Live.
Our Sonification Tools commercialization plan includes the following:
· Identify New Target Markets: Expand into educational institutions offering music and technology programs, as well as professional sound design studios and possibly even gaming companies.
· Introduce Flexible Pricing Models: Introduce a tiered pricing strategy that, along with our existing educational discounts, includes volume licensing for studios and institutions, and potentially a subscription model for long-term user engagement.
· Expand Feature Set: Explore the development of additional modules and pre-configured racks that could appeal to producers in specific genres, as well broader creative fields such as media arts and interactive installations. Meanwhile, our development roadmap includes real-time data input via OSC, as well as sonification of image and other file types. With adequate resources we would eventually explore porting Sonification Tools to VST format to work in other DAWs.
· Education & Support: Along with continued educational content, establish a dedicated support team to assist users with installation, troubleshooting, and creative uses of the tools.
Implementing strategies such as targeting new educational markets, introducing flexible pricing models, expanding the feature set, and enhancing education and support will significantly increase Sonification Tools' commercial potential by diversifying our user base, enhancing product accessibility and appeal, and improving customer satisfaction and retention.
Our Sonification Tools expansion plan includes the following goals:
· Content Marketing: Develop a series of short and inspiring instructional videos, tutorials, and case studies showcasing different uses of the tools in various genres and settings. Post these resources on YouTube, Vimeo, and relevant social media platforms.
· Influencer Partnerships: Collaborate with well-known music producers, composers, and sound designers to use and review Sonification Tools. Their testimonials and content can significantly boost visibility and credibility.
· Strategic Partnerships: Invite Ableton Live to feature Sonification Tools as a featured tool on their shop. Explore partnerships with other DAWs after porting to VST.
· Collaborations with Universities: Establish partnerships with music and technology departments to include Sonification Tools in their curriculum, enhancing its academic adoption and creating early adopters among students.
· Community Engagement: Develop our Discord community platform where users can share their projects, exchange tips, and provide feedback on the software. This can also serve as a think-tank for future product features and updates.
· Trade Shows and Music Conferences: Participate in industry events like NAMM, AES, MUTEK, Sónar, and Superbooth to demonstrate the software’s capabilities to a wide audience of music and audio professionals.
By implementing these strategies, Sonification Tools can enhance its market presence, increase its user base, and establish itself as a leader in the innovative field of data-driven music, media, and art.
Grid-based non-linear deterministic MIDI sequencer that controls like a game but generates ideas like a jam partner
Midinous is a grid-based non-linear sequencer wherein a user places objects called "Points" on a grid and links them up with paths. The distance between Points determines the length of time between events. The links between Points can cross, loop back, be diagonal, travel instantly, or split, to create chaotic yet careful sequences of MIDI note and CC messages. Additionally, a full logic gate system exists within the program for even greater control over sequences.
Midinous allows artists to think non-linearly to design and build sequences that can be equal parts unpredictable and familiar. The blend of determinism with generative aspects makes Midinous a unique tool that is accessible to musicians and non-musicians alike. The included logic gate system adds even more control over several aspects of how a sequence will play.
I've seen musicians use it to control their entire studio, from Eurorack synths to VSTs. I have seen artists use it to control lights and DJ sets. I've seen avid users create things like clocks, full adders, and computers using the built-in logic tools! My software is taken to new heights I didn't even think possible when people share their projects with me.
Midinous creates its own MIDI Ports when the program opens. It doesn't require any 3rd party software to route the MIDI it it generates. Open the program, and Midinous can be seen by anything as if it were a controller plugged into the computer. Midinous can also receive MIDI (and has MIDI thru) allowing greater control over workflow in a studio.
I currently sell Midinous on Steam, but plan to branch out to several other digital distributors in 2024 (such as itch.io, Gumroad, Splice, and more (if they'll have me)).
I want Midinous to run on hardware, ultimately, potentially even with a proprietary hardware device running a custom firmware. I also want to develop an open source headless version which can run Midinous documents so that it can run on something like a Daisy in the modular world. In the short term, I plan to add different kinds of place-able objects, such as counters, switches, and more.
Divisimate Micro allows you to play monophonic instruments in chords by splitting up incoming notes and sending individual voices to different instruments in real time.
Divisimate Micro runs as an instrument plugin in your DAW, but on its own it does not produce any sound. It connects to four virtual MIDI ports that are created and managed by the Nextmidi Hub, which then can be used as MIDI inputs for instrument tracks.
Incoming MIDI chords are split up into individual musical voices and can be routed to these instruments, allowing you to play any set of virtual instruments or synthesizers as an ensemble.
Plugins can be added to individual parts to transpose them to create new voicings or trigger specific articulations.
Four instances of the plugin can be used at the same time, each connecting to 4 ports, bringing the total to 16 different ports.
When we developed Divisimate there was actually nothing of its kind on the market - there were no standalone solutions to divide MIDI input from live playing and spread it across different instruments.
While Divisimate functioned as a standalone alongside the DAW, Divisimate Micro is the first software of its kind to function as a plugin and to allow multiple sets of different divisi engines at the same time.
Not only does this offer a much easier workflow and low-threshold way of working with our divisi engine, but it also enables a completely different way of working with virtual instruments.
Also MPE and Poly Aftertouch input is recognized and note-specific data is distributed alongside the notes to the respective ports, building a bridge between MPE controllers and non-MPE instruments.
Most instruments using physical modeling to emulate string or brass instruments are monophonic by nature. Playing these instruments in chords and leveraging their responsiveness and playability while playing them as an ensemble is a very inspiring experience.
It is hosted as a plugin in the DAW and connects to virtual MIDI Ports provided by a background application. These ports can then be used as inputs for virtual instruments of any kind.
The plugin is available since May 14 commercially on our website, and wider distribution deals are being negotiated.
The plugin capability of this product alongside the corresponding workflow will be implemented in the upcoming Divisimate 2.0 release, including a lot of additional features for our flagship offering.
For Divisimate Micro in particular we intend to implement an option to use the plugin MIDI out instead of the ports, and a merger functionality to combine multiple inputs in the Nextmidi Hub into a virtual MIDI Port to have a comfortable way to use multiple controllers on one track of Divisimate Micro.
Drop any audio file. Get hours of Cinematic Atmospheres.
Scaper captures the essence of any audio file, crafting it into a cinematic atmosphere that evolves over time.
Equipped with three advanced stretching engines and an automated particle generator, both managed by proprietary algorithm that make it evolve over the time without repeating itself, Scaper is capable of creating hours of evolving atmospheres. Simply drop your audio file into the interface and watch it happen.
The logic behind the generative algorithm makes it an unique piece of software that creates Hollywood-grade atmospheres with just a drag and drop. it allow to anyone (not jsut experienced sound designers) create production-grade soundscapes.
Experimenting with how any sound can be turned into a washed, evolving, tense atmosphere, without loosing the main character of the original audio (you'lll recognize something familiar in the generated audio)
Via Midi on a DAW or in the Standalone choosing the Midi input.
Already being commercialized on Sampleson.com
We plan to make more "flavors" and adding more tweaking options to the UI.
Modwave, wavestate, and opsix synthesizers are powerful, inspiring digital synths like no others. Korg brings all that synthesis power inside your DAW, without compromise.
All three plug-ins are fully-compatible with their hardware counterparts, so you can seamlessly exchange sounds between hardware and software. Produce in your DAW and then play the same sounds on stage using the hardware. Or, create sounds with the hardware’s hands-on interface, and then share them with a computer-based collaborator.
The wavestate, modwave, and opsix family of products introduced a ground-breaking concept: native software plug-ins available inside your DAW, with full compatibility and without compromise. Perfect for moving between software and hardware workflows. When connected to a Korg Keystage poly aftertouch MIDI controller, the combination of hardware and software offers an unparalleled integrated and distraction-free experience to keep your musical creativity flowing uninterrupted. The native plug-ins utilize MIDI-CI Property Exchange messages to communicate with the Keystage about which parameters should be linked and the appropriate names to display for each parameter. The plug-ins can connect with a wide range of MIDI 2.0 compatible devices and exchange information in both directions.
Talented musicians and producers from around the world have used modwave, wavestate, and opsix plug-ins to create some amazing songs, YouTube videos, and 3rd party sound packs.
All three of these plug-ins support MIDI 2.0 Property Exchange and can seamlessly connect with the Korg Keystage poly aftertouch MIDI controller and other MIDI 2.0 controller keyboards. The combination offers unparalleled integration and control at your fingertips, taking your music-making experience to a whole new level.
modwave native, wavestate native, and opsix native are available in VST3, AAX, and standalone formats on both macOS and Windows, as well as AU on macOS. Try the demo versions for free by using Korg Software Pass.
You can use any of the many third-party sound libraries available for the hardware modwave, wavestate, or opsix, as well as sample libraries designed for either the modwave or wavestate. The Korg shop offers sound libraries which can be used with hardware or software versions.
Modwave, wavestate, and opsix are now available as compact 19” desktop/rackmount modules.
Create, chain, and repeat simple math functions to generate complex patterns.
FuncBud is a generative sequencer that uses simple math functions to generate sequences.It's available on iOS and Apple Silicon as standalone and AUv3 plugin formats.
A simple x + 1 function would sequence all the notes in the scale in order. It gets more interesting when you use different formulas and chain them.
The sequencer starts from the root note and evaluates the first formula to calculate the new note. Then, it moves to the next formula. The formula's result is converted to a note in the working key and scale, within the defined minimum and maximum octaves. This new note is then played. Additionally, the result is stored in a history of up to 64 entries for later sum or product calculations
The function builder lets you create functions with simple addition, subtraction, multiplication and division operations as well as square, square root, sum and product operations. The newly created function will be saved and accessible in the library across both the standalone app and AUv3 instances.
The sequencer speed (rate), gate length, gate length variety, velocity, velocity variety and swing parameters are accessible with the sliders at the bottom of the UI.
FuncBud can generate classic arpeggios as well as very complex patterns with simple math functions. The function builder lets you create any function you want with addition, subtraction, multiplication and division operations as well as square, square root, sum and product operations. By changing the function order, repeat count, and mute/unmute feature, you can create live performances. Using the patterns and Audio Unit Presets, you can save your performances. The Audio Unit Parameters lets you modify the sequencer parameters with the external gear and lets you record/automate the parameter changes in the supported DAWs. You can also change the key, scale, and min-max octave on the fly, or use BrainBud app for changing the multiple Bud app key and scale at once. It's a very unique and fun experience to explore what you can do with the math functions in a sequencer, comparing to a traditional style sequencer.
You don't need to know about music theory or maths in order to use FuncBud. It already generates the right notes locked in a key and a scale within the specified min and max octaves. You also don't need to know about the maths either. You can just use the readymade functions in the library, or try to create something random in the function builder. If you're even know a little about either music theory or maths, you will enjoy it more, but it's not a requirement.
My aim with my apps is creating fun experiences for all the people whether they are professionals or absolute beginners. While simplifying the UI, giving you everything you need to control. Which leads a satisfying creative process whether you are jamming in your bedroom or performing live in front of an audience.
I think the most inspiring use of FuncBud is just using it, creating a few functions and having fun with them.
FuncBud is an iOS and Apple Silicon app that can be used as a standalone app or as an AUv3 plugin inside a DAW like Logic Pro, Logic Pro for iPad, AUM, Cubasis 3, Loopy Pro etc.
The standalone version is using the standard Apple Core MIDI protocol, so it can be connected to any MIDI supporting hardware over a USB dongle/cable, through an Audio Interface device or with Bluetooth pairing.
I've already released FuncBud on the App Store on the 6th of June 2024, for $5.99 price tag. At the end of the year, I'm planning to release an App Bundle on the App Store, a collection of all my 2024 app releases with a special discount.
Since it's an iOS app, I'm releasing new updates regularly to all my apps. I've already add new functionality to FuncBud after its initial App Store release. I've add the new functionalities like manual trigger with MIDI, transpose with MIDI. I'm planning to improve the function builder and add more functions such as the conditional functions, random generator functions etc.
An application that combines MIDI, audio, VST instruments, mixing/sequencing technology, and video/light control in one product.
VST Live Pro 2 is the only system on the market that combines MIDI, audio, VST instruments, mixing/sequencing technology, and video/light control in one product. It also can show PDF Files and Images.
An application which controls all media types (MIDI, Audio, Lights, PDF and virtual Instruments/Effects) for a live performance.
It can be main application for your stage performance. It can control MIDI, Lights (DMX), Video and Audio.
Every MIDI Device (Input and Output) can be connected to it. It also supports MTC (MIDI time code). It supports VST Instruments and Effecs. It has MIDI Effects.
Unify is a Cross-platform (PC Mac) Standalone software & "Plugin" for Digital Audio Workstations that allows users to load and create marvelous multilayered music.
Unify is a Cross-platform (PC Mac) Standalone software & "Plugin" for Digital Audio Workstations that allows users to load and create marvelous multilayered music.
It is a Platform that allows all the plugins for MIDI software to play well together. It closes the divide between Microsoft / PCs and Apple-based Macs and encourages music creation easily once you learn your way around the single-page interface.
MIDI Vault is the first MIDI + Audio file management plugin, bridging the gap between initial sparks of inspiration and later phases of song development.
AudioCipher was founded in 2020. Our first three plugins focused on a novel text-to-MIDI technique for generating melodies and chord progressions. We've improved on that MIDi generator in V4 with four new features: A closed-voicing chord inversion algorithm, a join feature that merges repeating notes, more musical modes, and better triplet note handling.
However, we also wanted to build a MIDI file management system that empowered users to retain their ideas and develop them into the future. Otherwise your initial sketches can easily get buried in DAW project files and be difficult to retrieve.
However - We came to realize that sound design plays a crucial role in the spirit of a MIDI idea. So we built a "musical rolodex" for that bundles MIDI + Audio files together into "cards" and stores them in what we call the MIDI Vault.
The MIDI generator incluees a save function that spins up a new card, effectively integrating the two hemispheres of the app into one unified workflow.
MIDI Vault is the first app to bundle MIDI and Audio together in a "card" format with metadata: BPM, Key, mood, genre, instrument type, and a user rating system.
Users can filter on any of those properties to locate their ideas quickly.
Finally, when musicians have a burst of inspiration and record it as a MIDI track, they can tuck it away for safe keeping. Later when they have time, they can retrieve the MIDI file and drag it into the DAW, experimenting with different virtual instruments. As they find options they like, they can bounce those audio files and drag them back onto the same card.
Apply metadata to make it easier to search for that card in the future.
The plugin includes audio and MIDI playback. So next time you're sitting at the DAW looking for a starting point, you can flip through your MIDI vault and listen to the plain MIDI file or hear it played back with whatever instruments you applied (piano, kalimba, synth, you name it).
These "cards" are saved globally to your device and are not bound to a single DAW. So you can access them anywhere and any time, without wasting time loading project files just to grab an idea.
Here's our ideal workflow: The users begins in the MIDI generator, types in a word or phrase that inspires them, experiments with different key signatures and modes, tempos and rhythms, until they hear something they like. They hit the save button to generate a new card in the MIDI vault. They drag the MIDI file into their DAW, add a virtual instrument, bounce that audio file, and drag it into your card. Add some metadata and you're home free.
Now you have a musical theme or motif inspired by that word, that you can access at any time!
Keep in mind, you don't have to use the MIDI generator to create and manage cards in the MIDI vault. Our goal was to provide a simple tool that can help you with inspiration, file management, and song development.
It's available as a standalone app with MIDI playback (without a DAW) or as a VST and AU plugin that also includes MIDI playback within your DAW. Compatible with all major DAWs on both windows and MacOS machines.
We're been on the market for four years and plan to bring AudioCipher V4 to market somewhere between July and September 2024.
If the app is well received and our company revenue is healthy, we intend to continue improving on the text-to-MIDI generator, possibly with an optional generative AI MIDI feature.
U-SYNC is a precise, easy-to-use solution for syncing DAWs and hardware sequencers, eliminating the imprecision and complexity of current audio sync and MIDI Clock solutions.
Syncing and especially recording hardware MIDI gear in time in a DAW has always been a challenge. DAWs and computers often struggle to send MIDI Clock with high precision while handling audio through a computer audio interface, due to complex operating system environments and numerous user-dependent configurations.
U-SYNC is a software/hardware hybrid that clocks any MIDI device with unprecedented high precision in any DAW. This precise combination requires zero user configuration and offers full portability. U-SYNC enables musicians to compose in the studio, perform live, or jam with fellow musicians in perfect sync, regardless of their setup.
Many attempts have been made to simplify DAW-MIDI hardware syncing protocols. While some methods, like audio-sync, offer higher precision, they are particularly cumbersome for the end-user. Each existing solution has its own advantages and disadvantages. U-SYNC strikes the perfect balance, incorporating the best of all worlds. It offers a simplified yet highly precise method by syncing directly over a USB cable.
All electronic musicians using outboard MIDI Gear but also a DAW for recording, who can now make and record their music freely without the headaches of constantly adjusting and moving their recordings with the DAW timing grid.
The hardware device (Midronome) speaking with U-SYNC sends MIDI Clock, MIDI transport, as well as 5V analog clocks and start/reset signals for modular synths and vintage synths.
After extensive testing and beta-testing, U-SYNC was released for Mac OS users, with future plans to develop for Windows. Users have given a hugely positive review of U-SYNC, with market research showing that people would happily pay to solve their recording sync issues.
After that, the two companies aim to collaborate with more manufacturers in the audio industry to integrate U-SYNC into as many audio devices as possible.
Development of U-SYNC for Windows is a paramount priority. Developing for Windows has proved more challenging than Mac OS, and therefore requires a longer testing and development phase before it can be released as a Beta. U-SYNC aims to become the new standard way of synchronising any MIDI gear and recording software in the future.
Use movement from one or more smartphones or smartwatches to control audio and MIDI in Ableton Live
Flowfal is a system that allows control of Ableton Live using motion from one or more Apple or Android phones or smartwatches. These devices, running the Flowfal App, send data to Ableton Live over a low-latency WiFi link.
Inside Ableton Live the Flowfal data is received by a set of plug-ins that act on this movement data in different ways.
As well as controlling Ableton Live parameters, movement data can gate the MIDI input to a track. MIDI notes can be produced or transposed, and MIDI Continuous Controller data can be sent to control external MIDI equipment.
Flowfal allows Ableton Live users to add movement as an input method for creating music. This can be useful in the studio, but it really comes into its own in a live setting.
Flowfal allows users to add more visually interesting movement to electronic music performances.
For players of non-electronic instruments, Flowfal allows effects to be added with movement - for example, it has been used by a Violinist to add effects to their playing.
Attention has been paid to how the movement data can be used usefully in musical ways so the latency of the system is very low and there are filtering options on all the movement inputs.
As Thunkist, Simon East creates live music installations where up to 4 audience members are given control of the music.
Smartwatches embedded in digital wands are handed out to the audience and they then control how the music sounds and evolves. These installations often use surround sound and the wands can be used to control where in the 360 surround space the sounds are produced.
This produces a totally immersive and interactive event for the audience.
There are a whole set of Flowfal Ableton plugins that use movement data to produce or process MIDI data. Movement data can be used to:
- create a MIDI note (with movement data controlling the note value and the volume)
- transpose a stream of MIDI notes
- gate the output of a stream of MIDI notes when a threshold is reached
- MIDI CC data can be produced
Flowfal is now available to buy as a subscription service for £30 a year (approx 35 USD or EUR).
We will be adding more plugins to process Flowfal data - for example a MPE MIDI plugin. We will be adding Apple Watch support. We are looking at other DAWs that we might be able to support.
seqMPEror is a polyphonic and fully MPE-compatible creative
sequencer. Explore creative, non-linear, non-repetitive, expressive and
innovative polyphonic MPE gestural adventure. MPE inclusive for all.
seqMPEror is one of the first sequencers to fully embrace the MPE standard by offering a unique advanced MPE gestural concept in the software domain with its six unique sequencing modes. It also functions as a real-time quantizer for both time and pitch. It can generate random sequences and manipulate or evolve existing MIDI clips. Its versatility is further demonstrated by its capability to control modular systems and even DMX lighting systems, highlighting its innovative edge in the music technology landscape.
It goes even further from being just a sequencer by making musical expression through MPE more inclusive in both hardware and software domains with these three main functions:
TRANSFORM A REGULAR NON-MPE KEYBOARD INTO AN MPE ONE
seqMPEror enables traditional MIDI keyboards to function as expressive MPE devices. Through advanced software that translates standard MIDI inputs into MPE-compatible gestures, musicians can achieve nuanced expression without investing in expensive MPE hardware. This innovation democratizes MPE technology, making it accessible to a broader range of musicians.
TRANSFORM YOUR NON-MPE VIRTUAL INSTRUMENTS INTO MPE ONES
In the upcoming version of seqMPEror 1.5, users will be able to create a single instance of a non-MPE VST instrument and automatically generate eight duplicates of it. The software will assign the corresponding MIDI channels automatically. This means that within seconds, any non-MPE virtual instrument can be transformed into a fully MPE-compatible one.
REAL-TIME ASSISTANT IN MUSICAL EXPRESSION
With the implementation of its smart Quantization feature for time and pitch, seqMPEror serves as a real-time assistant in musical expression. This feature helps musicians, even those without professional training, to perform their music more accurately and maintain musical coherence. By ensuring that notes and rhythms align perfectly, seqMPEror enables users to learn from their performances, gain confidence in their musical ideas, and improve their playing skills.
seqMPEror's extensive options significantly expand the MPE standard, making it more inclusive for all users across both hardware and software domains. By enabling traditional MIDI keyboards to function as expressive MPE devices and transforming non-MPE VST instruments into MPE-compatible ones, seqMPEror democratizes access to advanced expressive capabilities. Its innovative features, like automatic MIDI channel assignment and the introduction of unique, expressive parameters, ensure that musicians can fully explore and benefit from MPE technology without needing expensive new equipment and extensive musical knowledge. seqMPEror is paving the way for a more inclusive and creative musical landscape, empowering musicians of all backgrounds to the full potential of musical expression through MPE.
seqMPEror is a groundbreaking and innovative solution that significantly expands the MPE standard, making it more inclusive for all users across hardware and software domains. Here's how it stands out:
CUTTING-EDGE FEATURES
seqMPEror boasts six unique sequencing modes and can act as a real-time quantizer for time and pitch, generating random sequences and mangling or evolving existing MIDI clips. Its ability to control modular systems and even DMX lighting systems showcases its versatility and innovative edge in the music technology landscape.
HARDWARE TRANSFORMATION
seqMPEror revolutionizes traditional MIDI keyboards by transforming them into expressive MPE devices. Using advanced software, it translates standard MIDI inputs into MPE-compatible gestures, allowing musicians to achieve nuanced expression without investing in expensive new hardware. This innovation democratizes MPE capabilities, making advanced expressive technology accessible to a wider audience.
SOFTWARE INTEGRATION
seqMPEror's ability to convert non-MPE VST instruments into MPE-compatible ones is a quality-of-time innovation. It allows users to create a single instance of a non-MPE virtual instrument, automatically generate eight duplicates, and assign MIDI channels instantly. This rapid transformation process enables any virtual instrument to become fully MPE-compatible in seconds, maximizing the value and functionality of existing virtual instrument libraries.
UNIQUE EXPRESSIVE PARAMETERS AND REAL-TIME ASSISTANCE
seqMPEror introduces groundbreaking expressive parameters such as time fluctuation and note probability. These features add dynamic timing variations and probabilistic note triggering, expanding the expressive palette available to musicians. This innovation fosters new creative possibilities and ensures the continued evolution and relevance of MPE technology. Additionally, it allows users with less experience to play along even with complex musical material.
seqMPEror was a finalist in the "artistic/visual or installation" category at MIA 2023 with the sound installation Sononyms. Where it shows how, thanks to its innovative nature, it can be used in various fields of contemporary music and art in general.
In summary, seqMPEror's innovative approach to transforming existing hardware and software, introducing unique, expressive parameters, and providing versatile, cutting-edge features makes MPE technology more inclusive and accessible. It empowers musicians to fully explore and utilize the expressive potential of MPE, setting a new standard for creativity and innovation in music production.
What makes seqMPEror inspiring is its intuitive interaction. By making a simple sequence and adding gestures to different modules, users can quickly find something musically useful and inspiring in under a minute. This ease of use means that artists can immediately store or record their creations and evolve them through seqMPEror using their MIDI/MPE keyboard.
In just a few minutes, musicians can create something that can seamlessly become part of their song, sound design, or any musical project. seqMPEror's six unique sequencing modes, real-time quantizing for time and pitch, generation of random sequences, and the ability to mangle and evolve existing MIDI clips make it an invaluable tool. Additionally, its capacity to control modular systems and even DMX lighting systems showcases its versatility.
What makes seqMPEror inspiring for musicians is that it frees them from the constraints of musical knowledge. With real-time assistance from pitch and time quantization and synchronization, they can enjoy their playing and be inspired by the seamless, coherent music they create. This allows musicians to focus on their creativity and expression, making music more accessible and enjoyable.
seqMPEror empowers musicians to effortlessly transform their ideas into reality, making it an inspiring tool that enhances creativity and innovation in music production.
seqMPEror is designed to seamlessly integrate with a wide range of MIDI devices and software, making it a versatile tool for musicians and producers. Here’s how it connects with other MIDI devices and software:
HARDWARE INTEGRATION
Traditional MIDI Keyboards Transformation: seqMPEror can transform standard MIDI keyboards into expressive MPE devices. By interpreting and translating standard MIDI inputs into MPE-compatible gestures, it allows for nuanced expression, making traditional keyboards capable of delivering advanced expressive performances.
SOFTWARE INTEGRATION
VST Instruments: seqMPEror can convert non-MPE VST instruments into MPE-compatible ones. It achieves this by creating multiple instances of the virtual instrument and automatically assigning MIDI channels, allowing any virtual instrument to respond to polyphonic expressive data.
Modular Systems: seqMPEror can control modular synthesizer systems, allowing for intricate and dynamic interactions between different modular components. This integration provides a deeper level of control and expressiveness, enabling complex sound design and performance setups.
ADVANCED CONNECTIVITY
Real-Time Quantizing: seqMPEror can act as a real-time quantizer for both time and pitch, ensuring that performances are always in sync and on the pitch. This feature is especially useful when integrating with other MIDI devices or software, as it maintains musical coherence. Useful for people with less musical knowledge.
Generative Sequences and MIDI Evolution: seqMPEror can generate random sequences and evolve existing MIDI clips, adding an element of unpredictability and innovation to any setup. This can be particularly powerful when connected to other MIDI devices or software, as it introduces new creative possibilities.
DMX Lighting Systems: seqMPEror’s ability to control DMX lighting systems means it can synchronize light and sound in live performances or installations. This feature highlights its versatility and potential for creating immersive multimedia experiences.
USER-FRIENDLY INTERFACE
Intuitive Interaction: seqMPEror’s user-friendly interface allows for quick and easy integration with other MIDI devices and software. By simply creating a sequence and adding gestures, users can immediately start interacting with their entire MIDI setup, finding musically useful and inspiring results in under a minute.
ABLETON LINK CONNECTIVITY
By combining real-time smart Quantization with Ableton Link technology, seqMPEror allows users to seamlessly sync and play along with other software and devices connected to Ableton Link. For example, users can integrate with DJ software that supports Ableton Link, determine the key and scale of the song, input this information into seqMPEror, and effortlessly play along. This connectivity enables musicians to add their own sound and personality to existing tracks, enhancing collaborative performances and creative sessions.
In summary, seqMPEror connects with other MIDI devices and software through its ability to transform traditional MIDI keyboards, convert non-MPE VST instruments, control modular systems and even manage DMX lighting systems. Its advanced features and intuitive interface make it an essential tool for enhancing creativity and expressiveness in any MIDI / MPE-based setup.
MAJOR VERSION UPDATE TO 1.5
We are planning to release a major update of seqMPEror to version 1.5 shortly. In this version, we are adding an additional chord option to the step sequencer and will release a MIDI / MPE receiver that will transform any non-MPE Virtual Instrument into an MPE one in a few seconds. Additionally, there are some quality-of-life workflow improvements and bug fixes.
MARKETING STRATEGY
Digital Marketing: Leverage social media platforms, music forums, and YouTube to create buzz around the 1.5 update. Collaborate with influencers and musicians to showcase real-world use cases and tutorials.
Content Marketing: Develop a series of blog posts, video tutorials, and webinars to educate potential users on the benefits and features of seqMPEror 1.5.
Email Campaigns: Use targeted email campaigns to reach potential customers, offering early-bird discounts and exclusive content to subscribers.
PARTNERSHIPS AND COLLABORATIONS
We are lucky that seqMPEror has been well received. We are happy to announce that we have made great connections with major companies that deeply integrate the MPE options into their software and hardware devices. One of them is the company Embodme, which has developed the amazing Ereae MPE controller and is currently working on the new Ereae II. The other one is Sound Particles, which has developed a fantastic virtual instrument, SkyDust 3D, which implements the MPE function into the spatial domain. We are already working on some interesting seqMPEror tight integrations with their products.
We are also collaborating with various institutions, music schools, and other musical-related institutions where we are expanding the knowledge of MPE through seqMPEror, and we are offering special pricing for students and educators.
FUTURE DEVELOPMENT
Continuous Improvement: Based on user feedback, continuously improve and update seqMPEror with new features and enhancements.
Expansion: Explore additional functionalities and integrations, such as machine learning-driven music composition tools and support for emerging music technologies.
By implementing these strategies, seqMPEror aims to establish itself as a leading tool in the music production industry, empowering musicians of all skill levels to explore and express their creativity.
NEW FEATURES AND FUNCTIONALITIES
Machine Learning Music Composition: Integrate machine learning tools to assist in generating melodies, harmonies, and rhythms.
Enhanced MPE and MIDI 2.0 Support: Expand MPE capabilities and integrate MIDI 2.0 for better resolution and improved expressive parameters.
PLATFORM EXPANSION
Cross-Platform Compatibility: Develop controller versions for mobile and tablet platforms.
Serial Devices Extension: Enhance support for a wider range of serial devices, enabling even better integration and control over various hardware setups.
MARKET EXPANSION
Global Reach: Target international markets with localized software and support.
Educational Programs: Partner with music schools worldwide to introduce seqMPEror to new musicians.
STRATEGIC PARTNERSHIPS
Hardware Manufacturers: Collaborate with MIDI controller and instrument manufacturers for optimized hardware integration.
Music Software Companies: Partner with other music software firms for bundled packages and collaborative features.
By implementing these expansion plans, seqMPEror aims to solidify its position as a leader in music technology, continually innovating to meet the needs of musicians and producers globally.
This orchestral string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package.
Hyperion Strings Ensemble is an orchestral string scoring library with brilliant sound, expressive control, and adaptive performance features. It’s loaded with a massive array of dynamic long and short articulations, fingered true legato and portamento, emotive dynamic expressions, tremolo, runs, trills, flautando, ponticello, harmonics, chromatic and aleatoric effects, and creative sound-design elements. It's a complete string scoring solution right at your fingertips, with everything you'll need to shape your own sound, from the intimate to the astral.
We've worked hard to create an orchestral string library that has all the features a composer will need to craft realistic mockups. We've added the ability to shape the volume of the lowest dynamics with a niente slider that can go from very low with the modwheel to silence. We implemented our X-Fade feature into the GUI and you can crossfade between any articulation in real-time. You can adjust the speed of the legato from slow and emotive to fast runs. We also recorded a vast collection of articulations from a variety of short articulations, aleatoric effects, expressions, and all the core articulations.
A user interface that allows the composer or musician to shape the GUI in anyway to fit their workflow.
Hyperion Strings Ensemble was built using Native Instruments Kontakt.
We have already released this product.
We plan to make this product available for the Kontakt Player and also expand on it with new features, and the ability to have divisi and control of the individual player mics.
