Sound Without Sight: Empowering Blind and Partially Sighted Musicians Through Community and Innovation

In the evolving landscape of accessible music technology, Sound Without Sight (SWS) emerges as a pivotal community-led initiative dedicated to supporting blind and partially sighted musicians and audio professionals.
By fostering collaboration, sharing resources, and advocating for inclusivity, SWS aligns closely with the objectives of The MIDI Association’s Music Accessibility Standard Special Interest Group (SIG), (MASSIG) striving to make music creation universally accessible.
Jay Pocknell who runs Sound Without Sight (SWS) is an active member of the MASSIG team.
A Community-Driven Platform for Inclusive Music-Making
Founded in 2023 and hosted by the Technology Association of Visually Impaired People (TAVIP), Sound Without Sight serves as a comprehensive hub for blind and partially sighted individuals engaged in music and audio production. The platform offers a range of resources, including a Knowledge Hub, discussion forums, and monthly meet-ups, facilitating peer support and knowledge exchange. These initiatives aim to empower users at all stages of their musical journey, from education to professional development.
SWS focuses on three primary areas:
- Audio Production: Guidance on recording, editing, mixing, and live sound work.
- Music Notation: Strategies for reading and composing music, including accessible scores and screen access technologies.
- Performance: Support for instrumental, vocal, and speech-based performances, for both individuals and ensembles.
Aligning with the Music Accessibility SIG’s Mission
The Music Accessibility Standard SIG aims to enhance the usability and inclusivity of music technology. Sound Without Sight’s initiatives resonate deeply with this mission by emphasizing community involvement in developing accessible solutions. By documenting user experiences and sharing practical solutions, SWS contributes valuable insights that can inform the development of more inclusive MIDI standards and practices.
For instance, the SWS Knowledge Hub compiles user-generated content, tutorials, and advice, serving as a repository of collective wisdom. This not only aids individuals in overcoming accessibility challenges but also provides developers with real-world feedback to improve the inclusivity of their products.
Browse categories on the SoundWithoutSight Knowledge Hub
Accessible Notation (47)
Audio Production (49)
Culture, Industry, and Support (127)
Inclusive Design (32)
Performance and Instruments (56)
Showcasing Talent and Facilitating Collaboration
Beyond resource sharing, SWS actively promotes the work of blind and partially sighted musicians.
Their Sound Without Sight podcast highlights diverse approaches to music-making, including braille notation, learning by ear, and exploring digital scores. These stories celebrate individual achievements and serve as powerful educational tools for the wider community.
SWS also encourages collaboration between users and industry professionals. By facilitating feedback loops and inclusive dialogue, the platform ensures that the voices of blind and partially sighted musicians are heard in the development of new technologies — a practice that reflects the SIG’s emphasis on inclusive, user-centered design.
Driving Industry Change Through Advocacy
Sound Without Sight’s advocacy extends beyond its community platform to influence industry-wide awareness and design practices. By demonstrating how accessible design benefits creativity, SWS positions accessibility not as a limitation, but as a catalyst for innovation.
Conclusion
Sound Without Sight exemplifies the power of community-led initiatives in shaping a more accessible and inclusive music industry. Through knowledge sharing, artist promotion, and advocacy, SWS not only supports blind and partially sighted musicians, but also contributes to the MIDI Association’s broader effort to create a future where everyone can make music.
Its alignment with the Music Accessibility Standard SIG underscores the importance of continued collaboration in building a universally accessible music technology ecosystem.