Modulix
Categories: Software Prototypes/Non-Commercial Products
Submitted By: Umut Erhan
Elevator Pitch

Modulix
Product Description
Modulix is a live performance and plugin hosting environment designed for macOS. Built by a former touring keyboardist with thousands of live gigs under his belt, it solves a specific problem: laptops offer limitless sonic depth, but they often lack the straightforward, tactile feel of dedicated hardware instruments.
It provides the instant, grab-and-go workflow of a classic stage keyboard—featuring dedicated, color-coded modules for Keys, Organs, Synths, and Pads—while hiding the immense MIDI routing, keyboard splitting, and layering power of an advanced workstation under the hood. With seamless switching, auto-mapped macros, and a gig-ready setlist manager, Modulix allows keyboardists to focus entirely on their live performance rather than acting like IT technicians on stage.
How It’s Innovative
Modulix innovates by rethinking how musicians interact with software on stage:
1. The Hybrid Workflow: It abandons cluttered interfaces. You can scale your workspace to exactly what the gig demands—from a simple two-module split (like Piano and Bass) up to an 8-module orchestral powerhouse—keeping the live interface remarkably clean and focused.
2. Auto-Mapped Voice Macros: Every plugin gets its own customizable macro controls with distinct UI styles (Drawbars, XY Pads, Big Knobs). You can save these assignments per-plugin, so the next time you load your favorite synth, its custom controls are instantly mapped and ready to play.
3. True Seamless Switching: Performers can switch massive scenes, change active instrument modules, or even load brand-new plugins mid-song—all while holding notes from the previous sound without any audio drops.
4. Intelligent Chord Builder: It doesn’t just trigger static samples; it analyzes incoming MIDI. Play a complex jazz voicing, and the engine recognizes, names, and maps it to a single trigger key dynamically.
5. Editable Scene Differences Matrix: Designed for setlist management, this unique UI highlights exactly which volumes and macros change between songs, allowing performers to easily bulk-edit those differences directly from the matrix.
Most Inspiring Use Cases
The most inspiring use of Modulix is watching a keyboardist forget they are using a computer at all.
By combining the deep custom mapping of software with bidirectional MIDI feedback, performers can link their physical MIDI controllers to Modulix so perfectly that motorized faders, LED rings, and drawbars physically react to software scene changes. A solo performer can map a massive orchestral layer to a single bass key using the Chord Builder, seamlessly transition into a screaming synth lead, and control global stage effects—all without ever looking at their laptop screen. It turns the Mac into a true, cohesive musical instrument.
Expansion Plans
The immediate focus for Modulix is transitioning from an Early Access Beta to a rock-solid 1.0 release. This involves expanding the educational ecosystem around the app with comprehensive video walkthroughs, gig-ready templates, and a detailed manual.
Beyond 1.0, the long-term roadmap includes exploring VST3 plugin hosting, integrating next-generation MIDI 2.0 / MIDI-CI support, and a native iPadOS/iOS version. While these are exciting frontiers, they are strictly long-term goals; right now, the sole focus is perfecting the macOS live performance experience for the initial release.
Commercialization
Modulix is currently launching as an Early Access Public Beta. Because live keyboard rigs vary wildly, my goal right now is to build a core community of gigging musicians who can provide real-world, road-tested feedback. It is being offered at a 50% discount to early adopters. This allows me, as an indie developer, to work directly with musicians to refine the workflow, squash edge-case bugs, and improve the UI based on daily user input. Once the community helps solidify the foundation, Modulix will transition to a 1.0 commercial release at full retail price, targeted at touring keyboardists and musical directors.