Pitch correction on audio is everywhere. On MIDI it’s rare, and where it exists it locks to one fixed scale you set and forget. Tonalign’s target is alive.
Because it listens to Dashboard’s shared harmonic state, the note you’re correcting against is whatever the session is currently in — and that can change mid-phrase. Hold a chord, change the harmony, and the held notes retarget to the new chord without you lifting your fingers. Improvisation stays inside the harmony even as the harmony moves out from under it.
It also refuses to be invisible. A correction layer is, by nature, something you can’t see — so Tonalign draws the note you played and the note it landed on, making the half step legible. You learn where you were and why it moved, instead of just trusting that something happened.
(One honest absurdity worth mentioning: because VST3 makes true MIDI-effect plugins nearly impossible, Tonalign is technically a synthesizer — with a silent, ever-running synth inside it that never makes a sound. It corrects MIDI while pretending to be an instrument.)