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The MIDI Association at Berklee’s AIMS: AI Music Summit


The MIDI Association will participate in Berklee’s AIMS: AI Music Summit in Boston, June 3–5, 2026, with a demo booth open to attendees on June 4 and 5 from 3:00–5:00 PM.

AIMS brings together musicians, educators, developers, researchers, students, and industry leaders to explore how artificial intelligence is changing music creation, production, performance, education, rights, attribution, and creative workflows.

The MIDI Association’s participation highlights an important issue for the AI music community: as new creative tools emerge, they need open standards that allow instruments, controllers, software, learning systems, accessibility tools, and AI platforms to work together.

MIDI has provided that common language for more than 40 years, and MIDI 2.0 extends the foundation with higher-resolution control, greater musical expression, and richer communication between devices and applications.

Visit The MIDI Association Demo Booth

Attendees are encouraged to visit The MIDI Association demo booth to learn about current MIDI initiatives, MIDI 2.0, music accessibility, education, interactive audio, and the role of interoperability in AI-powered music technology.

  • Dates: Thursday, June 4 and Friday, June 5, 2026
  • Time: 3:00–5:00 PM
  • Location: 132 Ipswich St., Second Floor, Room 204
  • Format: Interactive demo booth and technology showcase

The booth will be a place to ask questions, see practical demonstrations, and discuss how MIDI can support new AI-assisted creative workflows while preserving musician control, expression, and interoperability.

MIDI, AI, and Accessibility

The MIDI Association will also support an accessibility-focused challenge connected to the AIMS Music Technology Hackathon on June 6–7.

The challenge asks a simple but important question: How can MIDI and AI help remove barriers so more people can make music?

Accessibility is one of the most important areas for music technology innovation. For many people, conventional instruments, controllers, software interfaces, and production workflows can create unnecessary barriers. MIDI helps address those barriers because it separates musical intent from any single physical interface. A musical gesture can come from a keyboard, adaptive controller, switch, motion sensor, eye tracking system, voice input, touch surface, or a completely new interface designed around the needs of the performer.

Hackathon participants are encouraged to explore adaptive instruments, accessible controllers, AI-assisted composition tools, inclusive DAW workflows, simplified music learning interfaces, alternative input devices, and systems that translate new forms of input into expressive musical performance.

This challenge reflects the work of The MIDI Association’s Music Accessibility Special Interest Group, which brings together musicians, developers, educators, companies, and accessibility advocates working to make music creation more inclusive.

Connecting with the AI Working Group Community

Logo for the Artificial Intelligence Working Group (AIWG) with the groups name in bold black and orange letters on a gray background, and partner logos along the bottom edge.

The MIDI Association’s presence at AIMS also connects with the broader work of the Interactive Audio Special Interest Group and its AI Working Group, where audio professionals, researchers, composers, sound designers, programmers, and developers explore responsible and creative uses of AI in interactive audio.

Topics such as adaptive music, procedural sound, voice and dialogue systems, accessible interfaces, and ethical AI practice all depend on clear communication between tools. MIDI and MIDI 2.0 can help provide the interoperability layer needed for these systems to become part of a larger creative ecosystem.

Why It Matters

AI music tools are developing quickly, but the future of music technology should not be built around isolated systems. Open standards such as MIDI help ensure that creative tools can work together, remain musician-centered, and support innovation across instruments, software, education, accessibility, games, and interactive media.

A digital circuit graphic forms a Y shape, connecting icons of a globe, smartphone, and music note. Text reads: Unifying the Modern Music Ecosystem with details on MIDI 2.0, Profiles, and SMF2 for tech platforms.
Three separate pillars labeled Web DAWs, Mobile Workflows, and Generative AI stand apart with cracks between them, illustrating isolated growth in music creation sectors and the lack of integration between technologies.
A seesaw balances an old MIDI chip and audio stems on one side against a modern, complex sphere on the other. Text explains MIDI 1.0’s legacy limits and calls for modern, interoperable music data standards.
Diagram showing a web DAW sending arrows to a MIDI device, labeled “What can you do?”, with arrows returning, labeled “Here is my exact configuration,” illustrating MIDI 2.0 communication. Text highlights multi-protocol and high resolution.
Comparison of MIDI 1.0 manual mapping, requiring manual setup and assignment, versus MIDI 2.0 profiles, which allow instant auto-mapping and standardized device recognition for faster setup.
A slide titled Standardized behavioral contracts for specific instruments shows two cards: one with a violin, labeled Orchestral Articulation Profile (M2-123), and one with a drum set, labeled Default Drum Note Map Profile (M2-125).
A graphic describes SMF2 as the Universal Music Project Format, likened to a USB drive, highlighting it as a robust, extensible container for MIDI, audio, stems, metadata, and easy collaboration.
A layered diagram of a digital container shows four stacked components: The Brain (project.xml), The Data (MIDI Clip Files), The Timeline (Conductor Track), and The Media (audio stems), illustrating SMF2 container architecture.
A comparison table showing features of Audio Stems, SMF1 (Legacy MIDI), and SMF2 Container, highlighting that only SMF2 Container supports all listed modern ecosystem needs.
A circular diagram explains AI generative music platforms, highlighting ethical high-res training, structural output with MIDI files, and seamless DAW integration, with icons for each step and descriptive text on a light background.
Illustration of a laptop displaying audio editing software, connected to a digital audio interface. Text highlights web DAWs features: property exchange, zero-driver ecosystem, and standardized cloud collaboration.
Infographic showing a phone, a computer, and arrows illustrating SMF2 Project session handoff. Text highlights Native OS Support, seamless Session Handoff, and Instant Hardware Mapping for mobile audio production.
Diagram showing the MIDI 2.0 workflow: AI-generated music flows to a web DAW for editing, then to mobile hardware for performance. Text explains MIDI 2.0 connects AI, web DAW, and hardware using a common language.
An infographic titled The Strategic Imperative of MIDI Association Membership lists four benefits around an image of a black membership card. Benefits include early access, SysEx ID, open source tools, and shaping MIDIs future.

If you are attending AIMS, please come see The MIDI Association demo booth, ask questions, and learn how MIDI is helping shape the future of AI music technology.

Visit The MIDI Association demo booth June 4–5, 3:00–5:00 PM, at 132 Ipswich St., Second Floor, Room 204.