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May 22-Parameter Control with Footpedals

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Some virtual instrument and effects parameters just cry out for footpedal control—too bad you don't have a pedal that outputs MIDI data…or do you? If you have a keyboard synthesizer or controller, it will probably have an expression pedal jack. The standard MIDI controller for expression is controller #11, and unless your keyboard or controller is ...

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May 23-Don’t Get Tripped Up by Local Control

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Sometimes you don't need an external, dedicated MIDI controller—the one on your favorite synth may be all you need, and the synth even has built-in sounds. The keyboard usually feeds data to the synth's MIDI out, but also to its internal sounds (called "local control.") But if your sequencer echoes its interface's MIDI in to the interface's MIDI ou...

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May 24-Tempo Track Tweaks

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In the days before click tracks, tempos varied because musicians are humans, not crystal-controlled clocks. However, these changes were far from random. While researching an article for Sweetwater's inSync web publication, I analyzed the tempo changes for several hits from the past that didn't use a click track and noticed a common element of most ...

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May 25-“Proofing” MIDI Sequences

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Sometimes you hit notes you don't want to hit, particularly if you're playing MIDI guitar or some other alternate controller (although this tip is most relevant to MIDI guitar, even with keyboards you may end up brushing against some keys accidentally and creating notes you don't want). Here are some ways to clean up your data stream. Delete pressu...

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May 26-Why ReWire Is Very Cool

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ReWire is a software protocol that allows two (or sometimes more) software applications to work together as one integrated program. For example, suppose you wish your DAW of choice had Propellerhead Reason's roster of way cool virtual instruments, but you don't want to learn a different DAW. No problem: use ReWire with your DAW, and get Reason into...

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May 20- All Rexed Up

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REX files chop digital audio into "slices," each of which is associated with a MIDI note. Playing a MIDI note triggers its associated slice, which is why REX files can follow tempo variations—slices can trigger at a faster or slower rate as you speed up or slow down a MIDI sequence. However, what really makes this fun is that you can also re-arrang...

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May 18-Processing Audio with MIDI Control

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Some MIDI instruments, particularly those from Arturia, include an external input for processing audio signals through the synthesizer's filter, VCA, and effects modules. That's cool enough, but of course, what's even cooler is that is that you can then use MIDI to trigger filter and VCA envelopes, turn filter resonance up high and use a keyboard t...

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May 16-The Advantages of Starting Songs with MIDI

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When you're songwriting, you want nothing to get in the way of your creativity, and you want as fast a workflow as humanly possible—so for those reasons, you're better off starting the songwriting process with MIDI rather than recording audio (if not you're not a keyboard player, even a simple MIDI guitar controller like the Jamstik+ or You Rock gu...

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May 15-Arpeggiation Meets Percussion

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Most people of think of arpeggiation solely in melodic terms, but arpeggiation has additional uses. General MIDI instruments include drum kits where the top notes are percussion sounds, and many virtual instruments include percussion presets. Setting up an arpeggiator in a random mode to trigger various percussive sounds can create a really cool ef...

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May 13-Why You Need a Controller with More Octaves

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If you think of a keyboard as playing only notes, four or five octaves may be sufficient. However, many virtual instruments (e.g., FXpansion Geist, Native Instruments Kontakt, EastWest's Play engine, etc.) use MIDI keys not only to play specific notes but also to trigger articulations or variations on a basic sound. If your main USB MIDI controller...

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