fbpx

 

 
MAY-Is-MIDI-Month-22-31.009
May 30-Hands-On Fader Control
Craig Anderton
Byte Sized Tips and Tricks
In the tip for May 22, we covered how to control effects and virtual instrument parameters with a footpedal hooked into a synthesizer or other controller. But what if you don't have a synthesizer or other controller...and would rather use a 100 mm fader than a footpedal? No problem, if you're willing to do a little soldering. Take a 1/4" phone jack...
MAY-Is-MIDI-Month-22-31.008
May 29-Rendering MIDI to Audio
Craig Anderton
Byte Sized Tips and Tricks
MIDI has lasted over 30 years, so the MIDI data you entered in a sequencer back in the 80s can still drive today's virtual instruments (which is pretty amazing, come to think about it). However virtual instruments, computers, and operating systems don't have, shall we say, quite the same kind of longevity. You'll be reminded of this when Steven Spi...
MAY-Is-MIDI-Month-22-31.007
May 28-Manual Vibrato for Keyboards
Craig Anderton
Byte Sized Tips and Tricks
The way most keyboard players add vibrato is to turn up the mod wheel, and inject some LFO to change the oscillator pitch periodically. That's fine, but consider guitar players—they add vibrato by moving their fingers on strings, which gives a more human quality than using an LFO. So, try your hand (get it?) at doing vibrato with your fingers inste...
MAY-Is-MIDI-Month-22-31.006
May 27-Polyrhythmic MIDI Echoes
Craig Anderton
Byte Sized Tips and Tricks
There's more to life than audio echo—like MIDI echo. Although the concept of MIDI echo has been around for years, early virtual instruments often didn't have enough voices to play back new echoes without stealing voices from previous echoes. With today's powerful computers and instruments, this is less of a problem so let's re-visit MIDI echo. It's...
MAY-Is-MIDI-Month-22-31.005
May 26-Why ReWire Is Very Cool
Craig Anderton
MIDI Month Tip of the Day
ReWire is a software protocol that allows two (or sometimes more) software applications to work together as one integrated program. For example, suppose you wish your DAW of choice had Propellerhead Reason's roster of way cool virtual instruments, but you don't want to learn a different DAW. No problem: use ReWire with your DAW, and get Reason into...
MAY-Is-MIDI-Month-22-31.004
May 25-“Proofing” MIDI Sequences
Craig Anderton
MIDI Month Tip of the Day
Sometimes you hit notes you don't want to hit, particularly if you're playing MIDI guitar or some other alternate controller (although this tip is most relevant to MIDI guitar, even with keyboards you may end up brushing against some keys accidentally and creating notes you don't want). Here are some ways to clean up your data stream. Delete pressu...
MAY-Is-MIDI-Month-22-31.003
May 24-Tempo Track Tweaks
Craig Anderton
MIDI Month Tip of the Day
In the days before click tracks, tempos varied because musicians are humans, not crystal-controlled clocks. However, these changes were far from random. While researching an article for Sweetwater's inSync web publication, I analyzed the tempo changes for several hits from the past that didn't use a click track and noticed a common element of most ...
MAY-Is-MIDI-Month-22-31.002
May 23-Don’t Get Tripped Up by Local Control
Craig Anderton
MIDI Month Tip of the Day
Sometimes you don't need an external, dedicated MIDI controller—the one on your favorite synth may be all you need, and the synth even has built-in sounds. The keyboard usually feeds data to the synth's MIDI out, but also to its internal sounds (called "local control.") But if your sequencer echoes its interface's MIDI in to the interface's MIDI ou...
MAY-Is-MIDI-Month-22-31.001
May 22-Parameter Control with Footpedals
Craig Anderton
MIDI Month Tip of the Day
Some virtual instrument and effects parameters just cry out for footpedal control—too bad you don't have a pedal that outputs MIDI data…or do you? If you have a keyboard synthesizer or controller, it will probably have an expression pedal jack. The standard MIDI controller for expression is controller #11, and unless your keyboard or controller is ...
MAY-Is-MIDI-Month-Slide-21.001
May 21-Leading and Lagging the Beat for Feel
Craig Anderton
Byte Sized Tips and Tricks
You can "humanize" sequences that have been quantized too rigidly by tweaking the start times for individual notes or phrases. Ignore any menu item called "humanization," because this usually just adds randomness—that's not what makes timing human (unless the human in question had too much to drink). Instead, alter note timings manually or use a "s...
MAY-Is-MIDI-Month-2.009
May 20- All Rexed Up
Craig Anderton
MIDI Month Tip of the Day
REX files chop digital audio into "slices," each of which is associated with a MIDI note. Playing a MIDI note triggers its associated slice, which is why REX files can follow tempo variations—slices can trigger at a faster or slower rate as you speed up or slow down a MIDI sequence. However, what really makes this fun is that you can also re-arrang...
Screen-Shot-2018-05-19-at-11.52.39-AM
Complimentary Summer NAMM registration for TMA members!
The MIDI Association
MIDI News
​Complimentary Summer NAMM registration for TMA members!Thanks to NAMM (the National Association of Music Merchants), we have complimentary registration through June 13 for MIDI Association members to the Summer NAMM show which happens this year in Nashville from June 28-30.  Summer NAMM is open to all NAMM members as well as professionals and...
MAY-Is-MIDI-Month-2.010
May 19-Programming Synths for MIDI Guitar
Craig Anderton
Byte Sized Tips and Tricks
Part of making MIDI guitar feel "right" when triggering synths has nothing to do with the guitar and its tracking, but with editing the synth presets so that they're guitar-friendly instead of being optimized with keyboards in mind. Separate channels. The guitar will most likely send data from each string over a different channel. So, use synths in...
MAY-Is-MIDI-Month-2.011
May 18-Processing Audio with MIDI Control
Craig Anderton
MIDI Month Tip of the Day
Some MIDI instruments, particularly those from Arturia, include an external input for processing audio signals through the synthesizer's filter, VCA, and effects modules. That's cool enough, but of course, what's even cooler is that is that you can then use MIDI to trigger filter and VCA envelopes, turn filter resonance up high and use a keyboard t...
MAY-Is-MIDI-Month-2.012
May 17 Non-Rigid Quantization
Craig Anderton
Byte Sized Tips and Tricks
One of the complaints about "MIDI music" is that quantizing everything to the beat sucks the life out of a song by eliminating the kind of timing variations humans make. But that's not the fault of MIDI— the problem is the person doing the quantization. So, here are three ways to make quantization more human-sounding. Quantization strength. Instead...
MAY-Is-MIDI-Month-2.013
May 16-The Advantages of Starting Songs with MIDI
Craig Anderton
MIDI Month Tip of the Day
When you're songwriting, you want nothing to get in the way of your creativity, and you want as fast a workflow as humanly possible—so for those reasons, you're better off starting the songwriting process with MIDI rather than recording audio (if not you're not a keyboard player, even a simple MIDI guitar controller like the Jamstik+ or You Rock gu...
MAY-Is-MIDI-Month-2.014
May 15-Arpeggiation Meets Percussion
Craig Anderton
MIDI Month Tip of the Day
Most people of think of arpeggiation solely in melodic terms, but arpeggiation has additional uses. General MIDI instruments include drum kits where the top notes are percussion sounds, and many virtual instruments include percussion presets. Setting up an arpeggiator in a random mode to trigger various percussive sounds can create a really cool ef...
MAY-Is-MIDI-Month-2.015
May 14-Why MIDI Plug-Ins Are Cool
Craig Anderton
Byte Sized Tips and Tricks
When audio plug-ins entered the mainstream, MIDI plug-ins took somewhat of a backseat because they weren't the "shiny new toy" in town. However with MIDI's resurgence, companies are paying more attention to MIDI plug-ins. For example Cubase has always had a great roster of MIDI effects, Ableton Live almost gives parity with MIDI and audio plug-ins,...
MAY-Is-MIDI-Month-2.016
May 13-Why You Need a Controller with More Octaves
Craig Anderton
MIDI Month Tip of the Day
If you think of a keyboard as playing only notes, four or five octaves may be sufficient. However, many virtual instruments (e.g., FXpansion Geist, Native Instruments Kontakt, EastWest's Play engine, etc.) use MIDI keys not only to play specific notes but also to trigger articulations or variations on a basic sound. If your main USB MIDI controller...
MAY-Is-MIDI-Month-2.017
May 12-Get Your Groove On
Craig Anderton
MIDI Month Tip of the Day
Quantizing MIDI notes to precise rhythmic values on a grid can sound "mechanical." This isn't necessarily a bad thing, particularly with techno, electro, etc. But for musical genres that aren't quite as rigid in terms of tempo, overly tight quantization can sound stiff. Enter groove quantization: instead of quantizing to a grid, you can call up a p...
MAY-Is-MIDI-Month-2.018
May 11-The Keyboard MIDI Control Surface for Mixing
Craig Anderton
Byte Sized Tips and Tricks
When it comes to mixing, a lot of engineers will tell you there's nothing quite like a good piece of hardware with real faders. Some synthesizers nclude faders for real-time control over the sound you're playing, however you may be able to program these to control the faders in a recording program's mixer. Several keyboards, such as Nektar's Panora...
MAY-Is-MIDI-Month-2.019
May 10-Create Dramatic Pauses with Tempo Track Tweaks
Craig Anderton
Byte Sized Tips and Tricks
One of the main differences between music recorded in the past and today's recordings is the use of click tracks to maintain a constant tempo. We can debate whether this is a good idea or not, but here's an easy-to-do tempo track tweak that can add a lot of impact to a song. Short, subliminal pauses can create a fleeting sensation of tension and an...
MAY-Is-MIDI-Month-2.020
May 09-Get Imaginative with the Mod Wheel
Craig Anderton
Byte Sized Tips and Tricks
Despite rumors to the contrary, Congress did not pass a law saying that mod wheels could be used only to add vibrato. Granted, the periodic vibrato a mod wheel adds is something only a synth can do, but try adding vibrato with the pitch wheel instead—it will sound more human, and more like the vibrato guitarists use. Now that you've freed up your m...
MAY-Is-MIDI-Month-2.008
May 08 How to Use Jamstik+ as MIDI Guitar
Craig Anderton
Byte Sized Tips and Tricks
Jamstik+ from Zivix is an interesting solution for guitarists who want to play MIDI instruments. While it's not a guitar, it feels mostly like a guitar because it has real strings, a neck, and frets—but it doesn't make any sound. On the plus side, you don't have to change or tune the strings. Also, the basic version has only five notes, so it's mor...