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If you are new to MIDI or want to go over some basics, this is the best place to start.  

Here is where you'll find guides to understanding what MIDI is, what it's not and general information everyone who uses MIDI should know.

There are Categories for MIDI 1.0, MIDI 2.0 and MIDI History. 

A MIDI Controller has a MIDI Controller that sends MIDI Controllers

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MIDI Controllers (Products, Physical Controls, and Messages) Unfortunately the word controller is overburdened in the MIDI lexicon and probably the most overused word in the world of MIDI.  It can refer to three different things- products, physical controls and messages.  MIDI Controller=Product  People can say MIDI Control...

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MIDI Tutorials

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Here is a collection of tutorials on MIDI which is a great place to get started.  For quick access to a list of all MIDI Messages, see our Reference Tables section. MIDI Basics  Why MIDI Matters -   MIDI is like air, it's all around you, most of the time you can take it for granted, but if you are a digital musician you probably...

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Bome Software Released 3 Major Product Updates

To celebrate the last day of May is MIDI Month, we are happy to announce 3 major product updates. Florian Bomers (Founder of Bome Software) New BomeBox Firmware 1.5 As of today, Bome Software has released version 1.5 of the BomeBox firmware. It is a free download for BomeBox owners and adds a number of new features: new MIDI processi...

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How to Create Polyrhythmic MIDI Echoes

How to Create Polyrhythmic MIDI Echoes

 There's more to life than audio echo – like MIDI echo Although the concept of MIDI echo has been around for years, early virtual instruments often didn't have enough voices to play back new echoes without stealing voices from previous echoes. With today's powerful computers and instruments, this is less of a problem – so let's re-visit MIDI e...

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Solve Problems with MIDI Plug-Ins

Solve Problems with MIDI Plug-Ins

A DAW's MIDI Plug-Ins Can Provide Solutions to Common Problems In a world obsessed with audio plug-ins, MIDI plug-ins may not seem sexy—but with MIDI's continued vitality, they remain very useful problem solvers. For an introduction to MIDI plug-ins, please check out the article Why MIDI Effects Are Totally Cool: The Basics. Although processing MID...

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May 01 Hum a Few Bars, and I'll Fake It

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Celemony Melodyne has one foot in audio, but the other in MIDI because the analysis that it runs on audio ends up being easily converted to MIDI data. If you can sing with consistent tone and level, Melodyne can convert your singing into MIDI. The same functionality for monophonic tracks exists in many DAWs. MIDI data has been extracted from the gu...

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May 02 How to Adapt DIN 5 Connectors to USB

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The original MIDI protocol specified a five-pin DIN connector (DIN stands for Deutsche Institut für Normung, a German standards organization), which is what you'll find on older legacy MIDI gear (anything made before 1999).  5-pin MIDI out and MIDI in jacks were the original MIDI connectors, and are still in use. However, today most MIDI gear ...

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May 03-How to Limit MIDI Velocity

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Audio compression can give more consistent levels, but it doesn't give a more consistent touch; that has to happen at the source, when the instrument plays. Some recording software programs have either MIDI FX or editing commands to compress data by raising low-level notes and/or or reducing high-level notes. But if your program doesn't have veloci...

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May 05 Let MIDI Save the Day When Doing a Commercial Video

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A company asked me to do a video for a reverb plug-in they were introducing, and I wanted to demo it with a variety of instruments. Drums? It's easy to find good acoustic drum loops. Guitar? I play guitar. Vocals? The company provided me with a vocal I could use. But I really wanted an acoustic piano piece, like something from Debussy, to demo the ...

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May 04 Create Realistic MIDI Bass Parts

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Don't Let Notes Overlap. Most bass lines are single notes, and because bassists lift fingers, mute strings, and pick, there's going to be a space between notes. Go through your MIDI sequence note by note, and make sure that no note extends over another note's attack. The orange notes have overhanging decays and attacks. The gray notes to the left a...

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